
When moving onto the next part of that
scene there was a match cut between the bedroom and the kitchen when there was
a two-way dialogue from the sisters, the camera is used to show over the
shoulder shots this makes it clear who is talking to whom. There is another
form of editing used to which is match cut to introduce a new scenery viewed
through a mid long shot of outside the house with all of Poppy Moore friends
which is clarified through mise en scene showing the big white house, greenery,
pool, moving van. There is also diegetic sound of shouting, screaming and
dialogue that show how the main character is the rebel of the film, the camera
is also used again as a low angle shot to show the sister looking down to her
big sister in disappoint displaying typical characteristics of a teen drama.
There is a match cut for when the father is
introduced into the scene through tracking the diegetic sound becomes quieter
and you hear more mutters and sighs. Mise en scene is then used as the father
is wearing a shirt; sunglasses and dark dull colours show a binary opposition
from the teens vs. parent. When the father and daughter (Poppy Moore) are
talking it is over the shoulder to show who has a higher authority the tone of
voice also suggests that the father is fed up. Sound, mise en scene, editing
and camera all add up in this particular part of the opening scene as is
displays the typical characteristic of conflicts between parents and children.


In the opening scene the audience of
females gets a vague idea of who the main cliques are and who is good or bad.
Binary oppositions are shown throughout by the main factors of CAMERA, EDITING,
SOUND AND MISE EN SCENE.
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